Showing posts with label Toronto International Film Festival. Show all posts
Showing posts with label Toronto International Film Festival. Show all posts

Monday, October 19, 2009

October 19, 2009: Interfaith dialogue – Building bridges between our communities

By Michael Regenstreif

Last month, I attended a lecture and panel discussion at Library and Archives Canada that featured Bruce Bawer, author of While Europe Slept: How Radical Islam is Destroying the West from Within and Surrender: Appeasing Islam, Sacrificing Freedom.

It was a disturbing, thought-provoking evening.

Bawer is an influential gay American author and cultural critic who left the United States in 1998 because of the increasing influence of fundamentalist Christianity on the public discourse in that country. But, in moving to Europe – he now lives in Norway – he says he found an even more insidious brand of fundamentalism there in the form of radical Islam, which has misappropriated multiculturalism and used it to stifle western liberalism and openness. Bawer warned that the influence of radical Islam has also been growing here in North America in recent years.

Bawer pointed out that the stifling of western liberalism is being accomplished in various ways from overt terrorism and violence – for example, the murder of Dutch filmmaker Theo Van Gogh after he made a short documentary, Submission, detailing the abuse of Muslim women – to abusing human rights tribunals. Recent examples of that in Canada have included complaints against Ezra Levant at the Alberta Human Rights Commission for publishing the Danish cartoons depicting Muhammad, and against columnist Mark Steyn and Maclean’s magazine at the Ontario Human Rights Commission for Steyn’s article, ‘The Future Belongs to Islam.’

Bawer also pointed to the new book, The Cartoons That Shook the World by Jytte Klausen, about the Danish cartoons controversy, mentioning that the publisher, Yale University Press, was intimidated into removing the cartoons from the book, thus depriving readers of actually seeing what the book was talking about.

Brigitte Gabriel – an Arab Christian who grew up in Lebanon and is now an American – is another speaker with a message similar to Bawer’s. As noted in the article on page 4 of this issue of the Bulletin, Gabriel will be in Ottawa on November 5 as keynote speaker at this year’s Choices event presented by the Federation’s Women’s Division.

But, while the threats from radical Islam that Bawer and Gabriel warn us about are real, and we must remain vigilant against them, we must not lose sight of the fact that extremists do not represent the Muslim mainstream and that there are people and organizations dedicated to building bridges between our communities.

Two such people from Jerusalem, Rabbi Ron Kronish and Mohamad Sibdeh, a kadi (Sharia court judge), will be in Ottawa on Sunday, October 25 to talk about how Muslims and Jews, as communities and individuals, can, and do, talk and work together. As noted in the articles on page 13, there will be Rabbi & Kadi events in the morning at Temple Israel and in the evening at the Soloway Jewish Community Centre.

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Last month, I wrote about the tiff at TIFF – the Toronto International Film Festival – over the selection of Tel Aviv as this year’s featured city in its new City to City program spotlighting the cinema of a different international city each year. A group led by John Greyson and Naomi Klein protested the selection of Tel Aviv with a declaration painting Israel as a brutal, repressive apartheid regime.

A number of major film artists lined up behind the protesters and a number of others lined up in support of Tel Aviv.

Surprisingly, given her long record of pro-Palestinian activism, one of the major film artists supporting Tel Aviv is Vanessa Redgrave. In a letter she co-authored for publication in the October 22 issue of The New York Review of Books, Redgrave opposes the TIFF protest saying the “citizens of Tel Aviv and their organizations and their cultural outlets should be applauded and encouraged.”

Redgrave and co-authors Julian Schnabel and Martin Sherman, all noted leftists, slam the protesters for referring to Israel as an apartheid regime. “We oppose the current Israeli government,” they write, “but it is a government. Freely elected. Not a regime. Words matter.”

Redgrave further parts company with leftists like Klein who seek to delegitimize Israel. “If attitudes are hardened on both sides, if those who are fighting within their own communities for peace are insulted, where then is the hope? The point finally is not to grandstand but to inch toward a two-state solution and a world in which both nations can exist, perhaps not lovingly, but at least in peace.”

The same crowd that protested Tel Aviv at TIFF also tried to intimidate the masterful singer-songwriter Leonard Cohen into cancelling his September 24 concert in Tel Aviv. Cohen, whose grandfather, Lyon Cohen, was the founding president of the Canadian Jewish Congress, stood up to the negativity of the anti-Israel boycotters and turned his concert into a benefit that raised $2 million for groups promoting peace and dialogue between Israelis and Palestinians.

Monday, September 21, 2009

September 21, 2009: The tiff over Tel Aviv at the Toronto International Film Festival

By Michael Regenstreif

This column was written just as the 34th annual Toronto International Film Festival (TIFF), scheduled for September 10 to 19, was getting underway. One of the world’s premiere film festivals, TIFF introduced a new series this year, City to City, with a goal of showcasing and celebrating a vital filmmaking scene in a different international city each year.

Given its success as a filmmaking centre, its vibrant and diverse cosmopolitan nature, and the fact that it is now celebrating its centennial year, Tel Aviv was chosen to be the first locale to fall under TIFF’s City to City spotlight and 10 movies made in Tel Aviv were scheduled to be shown during the festival. Reading their descriptions, they all sound interesting. I hope that I get to see them sometime.

Of course, when it comes to anything to do with Israel in a public forum, there just has to be some sort of invented controversy.

On August 27, John Greyson, a well-known director of gay-themed films and a professor of film studies at York University in Toronto, wrote to the TIFF program directors to announce he was withdrawing his documentary short, Covered, from the festival in protest over the choice of Tel Aviv for TIFF’s City to City spotlight.

In his letter, Greyson quoted author Naomi Klein describing Tel Aviv as “a kind of alter-Gaza, the smiling face of Israeli apartheid” and said that celebrating Tel Aviv in 2009 was “akin to celebrating Montgomery buses in 1963, California grapes in 1969, Chilean wines in 1973, Nestlés infant formula in 1984, or South African fruit in 1991.”

Greyson demanded to know why all of the Tel Aviv films were made by Israeli Jews.

“Why are there no voices from the refugee camps and Gaza (or Toronto for that matter), where Tel Aviv’s displaced Palestinians now live?” he asked.

By now, you too may be scratching your head wondering how Greyson knows about Palestinian refugees displaced from Tel Aviv who now live in Gaza and Toronto when Tel Aviv was built on what were empty sand dunes a century ago.

Greyson is a leader of Queers Against Israeli Apartheid (QAIA), and Covered, the film he pulled from the festival, is about homophobic violence aimed at a gay film festival in Sarajevo.

The whole concept of “queers against Israeli apartheid” strikes me as very strange considering that Israel is the only country in the Middle East in which LGBTQ persons can live openly and freely out of the closet, while Israel is almost certainly the only country in the Middle East in which Greyson could show a film like Covered. There are no gay film festivals in Hamas’ Gaza. But there are in Tel Aviv.

Ironically, one of the Tel Aviv films that Greyson is protesting is The Bubble, a 2006 movie in Hebrew and Arabic about a gay love relationship between an Israeli Jew and a Palestinian Arab.

Greyson and an ad hoc committee of likeminded anti-Israel activists, including Naomi Klein, who emerged as their spokesperson in the Globe and Mail and on her blog, published a document called Toronto Declaration: No Celebration of Occupation denouncing the TIFF spotlight on Tel Aviv – as if Tel Aviv was under occupation – in which they essentially repeat the same accusations in Greyson’s letter withdrawing his film.

Last issue in this space, I talked about how attempts to suppress the offensive Israel Apartheid Week poster or the keeping of the offensive, fringe British MP George Galloway out of Canada resulted in the exposure of the poster and Galloway to many times more people than there would otherwise have been.

Writing this column just before the film festival’s opening night, I’ll predict that all of the publicity generated by Greyson, Klein and company will only have served to assure full houses of moviegoers for the 10 films from Tel Aviv.