By Michael Regenstreif
In the spring of 2011, the City of Ottawa cancelled plans to
honour Charlotte Whitton by naming the city’s new archives facility for the first
woman in Canada to serve as the mayor of a major city. Whitton was Ottawa’s
mayor from 1951 until 1956 and again from 1961 until 1964.
The plan to name the new facility for Whitton was abandoned
following a campaign against the move led by the Jewish Federation of Ottawa
and the Canadian Jewish Congress (which was soon to be absorbed by the newly
restructured Centre for Israel and Jewish Affairs) because of Whitton’s
antisemitism.
During the Second World War – as millions of Jews were being
murdered in the Holocaust – Whitton was director of the Canadian Council on
Child Welfare and lobbied the federal government to keep Jewish war orphans out
of the country. Later, as mayor of Ottawa in 1964, Whitton refused to accept a
$450,000 donation from supermarket chain owner and philanthropist Bertram Loeb
to establish a medical research centre at the Ottawa Civic Hospital. “Some
observers suspected that Ms. Whitton cringed at the thought of seeing a Jewish
name on a city facility,” noted the Globe and Mail in its obituary when Loeb
died in 2006. (In 1988, long after Whitton’s death, the Loeb Research Centre
opened at the Civic Hospital following a $14 million fundraising campaign
spearheaded by Loeb in honour of his parents.)
I was recently reminded of the effort to fight bestowing
that honour on Whitton because there is currently a grassroots campaign in
Montreal to rename the Lionel-Groulx metro station in honour of legendary jazz
pianist Oscar Peterson. An online petition to that effect has currently has more
than 22,400 signatures.
Lionel Groulx (1878-1967) was a Catholic priest and
historian whose writings on language and Quebec nationalism have influenced
Quebec politics for generations. Claude Ryan, the former editor of Le Devoir
who was leader of the Quebec Liberal Party from 1978 to 1982 and the province’s
minister of education from 1985 to 1989, has referred to Groulx as “the father
of modern Quebec.”
However, Groulx, as well documented by historian Esther
Delisle in her 1993 book, The Traitor and the Jew: Anti-Semitism and the
Delirium of Extremist Right-Wing Nationalism in French Canada from 1929–1939,
was an unrepentant antisemite. Delisle found hundreds of antisemitic and
pro-fascist quotations attributed to Groulx during the period in question, many
of them from articles he wrote under verified pseudonyms. Groulx’s antisemitism
persisted well after the period of Delisle’s book. For example, in an article
about the current effort to rename the metro station, the Globe and Mail notes
that Groulx in 1954, wrote that Jews have a hunger for money which he described
as “an often monstrous passion which lacks all scruples.” A counter-petition by
Groulx loyalists who want to retain the station’s name has received over 10,600
signatures.
I lived in Montreal until I moved to Ottawa in 2007 to work
at the Ottawa Jewish Bulletin and (notwithstanding restricted travel during the
COVID-19 pandemic) I return there frequently. As a metro user, I have passed
through the Lionel-Groulx station countless times over the years (it’s one of
the two transfer points between the metro’s two most important lines) and every
time I’m in that station I am reminded of Groulx’s antisemitism and the
influence it had on Quebec society. So, changing the name of the station is
something I strongly support.
This current campaign is at least the third effort to change
the name of the Lionel-Groulx station. In 1990s, after the revelations
published in Delisle’s book, Jewish community activists unsuccessfully
petitioned the city to change the station’s name. And a previous effort to
change the name to honour Oscar Peterson (1925-2007) was launched after his
death.
Peterson would be a most-worthy figure to honour with the
name of the metro station. Peterson, who I would argue was Canada’s most
significant jazz musician – for that matter, one of the world’s greatest – grew
up in the very neighbourhood where the station is located (while Groulx had no
connection to the area). I had the opportunity to see Peterson perform numerous
times over the years – he was always brilliant – and I still enjoy his many
recordings.
It’s also worth noting that although visible minorities
comprise 31 per cent of Montreal’s population, not one of the city’s metro
station’s bears the name of a person from a visible minority background.
Renaming the station for Peterson, a celebrated Black Canadian, would begin to
address that failing.
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